Being an art buyer these days is comprehensively and indisputably
vulgar. It is the sport of the Eurotrashy, Hedge-fundy, Hamptonites; of
trendy oligarchs and oiligarchs; and of art dealers with masturbatory
levels of self-regard. They were found nestling together in their super
yachts in Venice for this year's spectacular art biennale.
Venice is now firmly on the calendar of this new art world, alongside
St Barts at Christmas and St Tropez in August, in a giddy round of
glamour-filled socialising, from one swanky party to another.
Artistic credentials are au courant in the important business of being seen as cultured, elegant and, of course, stupendously rich.
Do any of these people actually enjoy looking at art? Or do they simply enjoy having easily recognised, big-brand name pictures, bought ostentatiously in auction rooms at eye-catching prices, to decorate their several homes, floating and otherwise, in an instant demonstration of drop-dead coolth and wealth. Their pleasure is to be found in having their lovely friends measuring the weight of their baubles, and being awestruck. More Read
Artistic credentials are au courant in the important business of being seen as cultured, elegant and, of course, stupendously rich.
Do any of these people actually enjoy looking at art? Or do they simply enjoy having easily recognised, big-brand name pictures, bought ostentatiously in auction rooms at eye-catching prices, to decorate their several homes, floating and otherwise, in an instant demonstration of drop-dead coolth and wealth. Their pleasure is to be found in having their lovely friends measuring the weight of their baubles, and being awestruck. More Read
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