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Friday 18 November 2011

'Dawn' Breaks, And Much Baroque Nonsense Ensues


If you were to run into the ghost of Sigmund Freud* on your way out of The Twilight Saga: Breaking Dawn Part 1, my guess is he'd tell you he found the symbolism a little on the nose.

In fact to put it in the dry, scholarly language that the father of psychoanalysis might use, Breaking Dawn is where the Twilight series goes straight-up cuckoopants.

Up until this point, it's been an overwrought teenage love triangle with a sprinkling of gothic elements, filled with brooding and sparkling and the occasional vampire-werewolf Brawl For It All.   Read Here

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